Desc: The Conflict: Directed by Ralph Ince. With Lucille Lee Stewart, Jessie Miller, Huntley Gordon, Wilfred Lytell. Two women crave the love of the same man; one is pretty, proud, spirited, and poor; she offers him love. The other is equally pretty, proud, and spirited, but rich; she offers him everything money can buy. The rich one wins. This was not really the beginning of the rivalry of Madeleine and Jeanette; they had had petty differences in their home town when Madeleine, the poor girl, had refused to bend the knee to the other. But with this victory in love is born a new hatred, which Jeanette proceeds to intensify by having the other girl's father discharged from his position, thus forcing her to leave school and work for sustenance. Madeleine goes on the stage, and years later she is a popular actress. Jeanette, meanwhile, has discarded Paul, in favor of Henry Mortimer, a rising young lawyer to whom she has become attached. Mortimer becomes enamored of Madeleine, who considers him just another of her army of admirers and leads him on as is her custom. Jeanette sees that her rival is trifling with the affections of the man she loves. She goes to Madeleine and beseeches her to send him away or she will ruin two lives. Madeleine consents to her request, but then comes recognition all the old hatred returns. She retracts her promise and determines to marry Henry, though she does not love him, to strike at the heart of the woman who had caused her so much pain. After the marriage she is cold to the affection he showers upon her. Then her path crosses Paul's once more and her old love for him is rekindled. Henry learns of their association and orders Paul never to enter his house again. A new love is born in Madeleine's breast, the love for her husband. But there is a wide breach between them now caused by her associations with Paul and her gambling habits of which Henry disapproves. He refuses to pay her debts. When Paul calls on Madeleine for a loan, she refuses him and he rifles Henry's safe. That night, Henry notices the deficit and thinking his wife has taken the money to pay her debts, he accuses her of theft and leaves her. Rumors come to his ears that Paul is with his wife, and placing a revolver in his pocket, he starts for the house, intent on settling the affair. Paul, meanwhile, is trying, with small success, to regain Madeleine's love. When his attentions begin to get offensive, she threatens him with a revolver to keep his distance. Under the influence of liquor, Paul advances toward her, and stumbles over a chair, bruising his head. Madeleine rushes out to the kitchen to get some water, and, while there she hears a shot and returns to find Paul dead and Henry standing over the body. Each believes the other guilty and takes the responsibility for the crime. Henry is taken into custody; Madeleine's story is not believed. At the trial Henry is saved from dying for another's crime when Jeanette breaks down and confesses that she had been hiding in Madeleine's room on the day of the murder, and when the latter had gone for water she had grasped the opportunity to shoot Paul who, she said, had been planning to tell the truth in regard to the robbery. Knowing that this would bring about a reconciliation between Henry and his wife and that she would never be able to win his love, she had shot Paul and is now willing to suffer for her crime. Out of sorrow and suffering, come faith and love forged anew for Henry and Madeleine.